
A little over a month ago in the quaint town of Poitiers in western France, a gentleman by the name of Dominique Moreau engages in a movement against the rigid, gender−based sartorial codes of fashion. He—in league with thirty other able bodied men—spends a good part of the day wearing skirts.
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from left to right, Thom Browne, Michael Bastian and Gilded Age SS09 preview
If you’re as enthusiastic about New York Fashion Week as I am, I’m sure a week prior to the tents going up you probably deliberated, religiously, on what to expect this season from the likes of Rag & Bone, Obedient Sons, Thom Browne and other notable menswear designers. Would their aesthetic evolve and positively build from their last season or would inspirations for this spring leave them with a resounding kaput?
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As the age-old fashion faux-pas of wearing socks with sandals sauntered down the runway of Alexander McQueen’s men’s SS09 show, US Vogue came out with their “Ageless” issue to celebrate the fashion industry’s old guards.
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If there’s one thing that cannot be denied of the Dior Homme spring 2009 collection, it is the effective use of popping colours. The electric blues, fuchsias and metallic gold blots were placed at the perfect time to nudge the observers when their eyes grew tired of scoping out the details on the boarder-line monotonous all-black looks.
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When pocket dresses first came on the scene, I was a tad envious of the comfort thrown the way of women. This slight bit of detail added to the ever so casual dress left an insatiable feeling within me as I frowned upon the four pockets that lay plastered on my pants.
As the trend became ubiquitous, I watched countless women prance up and down 5th Avenue with a renewed sense of comfort and an aura that exuded a solace I longed so desperately to have. Poise replaced awkwardness and I wanted that…
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Monday, September 15, 2008
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